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Virtual Panoptical Network

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US American friend says of the VPN service she’s using on her visit to Shanghai that it seems legit, that they seem legit, as, you know, a little company, not — if I get her implied meaning right — something necessarily obliquely sponsored, facilitated, or even outright run by a covert arm of US-Western power. The company’s website felt legit to her because of several minor infelicities of English grammar — just enough to make it seem like a company run by edgy Asian IT guys who just want information to be free, not by slick operatives in the employ of a meddling Western NGO fronting for the NSA, working to undermine China… That kind of “kind of thing” thing, you know? At least that’s what I thought, later, misremembering. And though I didn’t follow the logic that seemed to suggest itself to me (would really bad English or professionally edited copy both cause more paranoia?), I could vibe with her feeling, because of course it was my feeling, too, or perhaps alone. You have to trust someone, after all, or you might go crazy, right? Especially in a country like this and from a country like that. What’s the mind to do? (Continued)

Moving

This web presence is moving. Perhaps more on paranoia and conspiracies – more specifically on these things and not things in general – here, later. At the very least, parked in case China blocks tumblr and there’s some reason to blog both sides of the Great Firewall. 

FULL BLEED

Envision white 
light” flashpan

Moment breached
foamed searcher time

Fashion sears the skies 
splits sutures clouds

Scars dark reticular 
dusk swallows

Bats flapping Twombly 
ink-washed sops arc

Black static sonar 
sky-blue hedge

Yes-space with
consciousness 

Replaced blood
with nitrous 

Fizz the bonds
in nerves no jest 

Needle-jet thrust
returning number-

less reasons
to get a new

golf swing
in the Atlantic 

 

Off the center of the edge of the world

 

Chinese workers dismantle the 2010 World Expo UK Pavilion aka the “Seed
Cathedral,” a high-tech apparition moaning “ecological sustainablity” which
now haunts the ex-Expo grounds…

 

Fascinating (as almost always) chatter (no, not “chatter,” heavy matter but yet… chatter) from the neoreactionaries as they anticipate with mixed thoughts and feelings their moment in the “klieg lights.” Techcrunch’s Geeks for Monarchy, Moldbug a Yarvin (and a San Francisco poet), something like hyperrational paranoia (the neo- in the term, the red pills in the script — cliché upgraded some endless times to meme meme meme meme meme meme meme and in the NR imagination a means of splitting any proposed “us,” and in particular the U.S., cleaving right at spot where “all men are created equal,” the feature a bug after all, they crow, because, you know, because HBD, yeah you know me) – it fascinates, much like snakes (red apple falls). 

A smugly horrified bit in Salon can hardly be far behind, one supposes.

Fun to follow, fun like sci-fi come alive. (And well, isn’t it?)

Shanghai has this neoreactionary set, see? (Nick Land, Spandrell [apparently in Japan, actually, but with a Shanghai connection], a commenter Manjusri, who else?). How do I know? I’m in Shanghai. I’m online. That aside, given the thin distribution of the network of what — offhand-guessing 40-some? — “neoreationary” bloggers globally (the scare quotes a nod to their fascinating project to figure out what they’re doing and what to call it), this must say something about the kind of place this is, this Shanghai, this China, right now. (The universe’s nicest Dark Lord is fascinating on this latter subject on his day-job blog, as well.)

Shanghai, hypercapital of Expat-Asian-reaction, network node closing and breaking and closing circuits with Bay and Valley, DC exurbs, wherever else? Sure, why not.

Time to return to The Diamond Age. It’s just two years shy of its 20th anniversary and it’s saying ever more about the kind of singular place this is, this refracting Shanghaied world where everything happens again and again, sometimes, even faster and then all at once, I suspect. Perhaps, but who, whom, where, what, when, why? Stephenson needs a study—Cryptonomicon too. Put that on the project list.

Hyperrationalist paranoia, style of an age? (Side effects of paranoia: the prophet and the sage). 

It’s not like it’s this assault on an actual Cathedral; it’s something like the opposite. (Though you could swap in “the Cathedral” for “the Catholic church,” “Inauguration Day” for “Easter day of the Holy Year”, and “Equality” (perhaps) for “God” and you’d pretty much have it in a far tighter nutshell).

Though pits, scores, cracks, warps, and heavy oxidization distort and twist and obscure the reflections in the funhouse mirrors, this “outer right” does indeed mirror the farther left; after all, Moldbug/Yarvin in his own phrase “is pretty much the anti-Chomsky. (As a broad generalization, UR’s stance in any controversy will be the opposite of Chomsky’s.)” It’s not just flipped, but it is.                        

(Continued)

The Paranoid Style in American Poetry

 

Presenting a complete list of paranoid contemporary American poets

 

Lady from Shanghai Funhouse Mirror Scene

  (Continued)

International Calling Card

 

IP card0001

 

I’m often struck, when using a Chinese IP card, by this graphic. Sure, it’s collage, not collision. It’s trying to say “live the reality of global connectedness,” not “don’t forget that you live in the shadow of globalized terror.”

And yet, that plane is clearly about to take out a chunk of Brooklyn. Did it just miss the targeted Freedom Tower? Or the Brooklyn Bridge? Or is it merely crashing like Dumbo (Disney’s, Banksy’s) into Dumbo’s converted warehouse condos, and why?

Sometimes when I phone home with one of these, I hear for just a moment echoes of the voice of a Shanghai cab driver who, maybe six years back, followed up the #1 Shanghai cab driver question of “where you from?” not with the usual “America’s great!” and queries about favorite NBA teams or if I’d been to Seattle where the driver’s cousin lives or whether I thought Shanghai girls were pretty, but with a delighted statement along the lines of: “They blew up the WTC! Osama! Ha! Boom! The great America, ha! Osama! You really had it coming! Ha!”

I think the cabby assumed that I’d take deeper offense than I did. I was indeed momentarily surprised (I think I was too tired to be “shocked”), but he did have something of a point, in his way, and my being outraged certainly wasn’t going to save any lives or change any minds, and feeling deeply sad, as I also did, is too stifling an emotional state to allow the spark of anger to catch. Besides, it was kind of funny, too – a nice little set piece about our comically mutual impotence as possible foes, heroes, or villains. I paid my fare and left him to his cab. 

I can imagine expat and Chinese acquaintances alike dismissing the suggestion that my driver’s outburst really meant anything at all: small sample size, bad apple, a glitch in the recording, a non-representative hate hiccup, schadenfreude, crazy, bitter – but certainly not representative of anythingChinese people love America, after all. It’s absolutely true based on my mental survey of cab drivers over the years, not to mention fruit vendors, IT guys, college students, and so on. I know this because they say it so often. And I always respond that I think Shanghai and China are pretty right on, too, so they know that yes, everything’s cool between us. 

Likewise, I imagine expat and Chinese acquaintances alike dismissing the notion that my IP card has anything to do with anything at all. It means nothing. The fact that I find it both really sad and kind of funny – absurd – confirms its lack of meaning, even. 

But still, I want to know what the China Telecom design team behind my IP card’s design was thinking. Not “what were they thinking?” in any indignant sense of how could they? It is indeed most probable that nobody thought anything beyond something like “thrown-together clip-art collage that represents instantaneous global connectedness and communication.” Having worked with Chinese designers, that’s totally believable, but nevertheless I’m thinking some kid from the office must have cracked the obvious bad joke, yeah? Maybe smoking with his buds in the stairwell in the midst of talking girls and World of Warcraft? Yeah? would have. 

Despite the insistence of my imaginary interlocutors that such things – passenger jets diving into Brooklyn, rogue Shanghai cabbies praising Osama’s big hit – really mean nothing at all, I prefer to range over the available counter-takes: continuous global disconnectedness and miscommunication, warping perspectives, dreamed threats, the non-stop return flight of the repressed, the accident, clotted resentments, the telecom invocation of some dumb mundangel of death, sloppy “we’ve-seen-too-many-movies” broken mind melds, the placid surface of commerce-as-final-human-reality punctured by insane grasps of (for and at) history — all of it, no matter how intentional, how accidental, no matter how anything at all. It’s the only way these things begin to make real sense, the sense in which they may as well violently stop, whether within our connected/disconnected (and tapped?) global mind or without it, and in so stopping, continue the work of history, making and unmaking us itself in all our infinitesimal, paranoid days. 

STOP TALKING TO YOURSELF

 

Rev. Darrell Jones aka Medicine Man Short Fire (2013)

Rev. Darrell Jones aka Medicine Man Short Fire (2013)

 

The charge of silence

No poem works in my mind for more than a moment and that’s both the (remaining) attraction and the (growing) distraction. I mean more like more as in moar but also more like NO MORE, like more no moar, even though “no more” doesn’t get you a fraction of a strobe flash of a shadow of a shit around here

Imagination as impoverished possibility

Your/you’re. Having is whole where Being is broken. (And just when we become / Our own perfect problems) 

Living in Shanghai I find myself more
often walking the streets talking to myself

The phones (head, smart) make it easy
and I’m always there, just like any other

local ghost gone merely global, i.e. insane 
(tell it to a shepherd, tell it to a farmer

tell it to shaman, hunter, gatherer)

We are around nine months less than zero to one-hundred-and-twenty or so years old. Somewhere, a few neurons and their somebodies can still actually make it back to, say, 1894, making then & there matter like shadow-verbs for being-here-now yet where & when we might only imagine but don’t, because here we are

Cast forward 120 to 2134, say to a stadium-floodlit marching band woven among rhizome-fissured cross-shadow plumes, drums & tubas & fifes on painted turf in splintered tessellated stop-motion poses beneath billowing star-white gnats & moths (Duchamp to Leary to Lynch) and amid this actual moment’s generalized panic of tagged & networked photographomania

Fast-closing thunder, static-flushed full silence, rippling carpets of fireworks, just-married bombs, and brace of sharp reports, we ghosts flee boom! we flee boom! we flee!

Living in an apartment on a busy intersection in Shanghai’s former French Concession where trucks and buses rumble and grind past at all hours amidst horn honks and break squeals (and on Saturdays the panhandling street musician’s húlúsī gourd organ), leading me to earplugs, sound-canceling headphones, ambient music, and, most recently and most successfully, the excellent collection available online of white noise, pink noise, blue noise, thunder storms, rain in the woods, rain on tin roofs, wind in the forest, wind on high dunes, wind in the arctic, crashing surf and river rapids. I am currently 04:03:42 into a looped recording of “10 Hours Rainfall w/ Distant Thunder.”

It is a source of deep embarrassment — and therefore social silence — that as a teenager I attended the H. Roe Bartle Boy Scout Camp near Osceola, Missouri and was inducted into an invented Indian tribe called the Tribe of Mic-O-Say as a Brave in an initiation ceremony led by middle-aged and older men (Elders) and teens slightly older than I was (Warriors) who took us young Braves out into the woods away from the large bonfire – “leave this council ring!” the Medicine Man shouted after each young Brave-to-be was presented and performed an oath. Then the Brave’s runner — his chosen Warrior-mentor — ran the kid out into a spot where overnight the new Brave was to sleep “alone” in woods filled with other Braves and their Warrior minders as part of the initiation ritual.

That night, we were to meditate – we were not to speak, not with the runner nor with any other Brave, briefly fasting with only water to drink – and await a sign from the Great Spirit that would give us our Mic-O-Say name; we were also to gather some natural thing from the woods to sew into a small leather pouch with plastic line before attaching a hawk’s claw to the pouch. We wore these around our necks for the rest of camp, starting with the final night of the initiation ceremony in which we announced our new Mic-O-Say names and were blessed by a Medicine Man using a big sacred feather. 

We wore loincloths over swimming trunks. My chosen name was “Thunder in the Distance.” I thought my name was pretty good but then I heard my friend Pete’s name: “Rattlesnake in the Leaves.” 

I do deeply love the sound of wind in the woods on a hot and humid Missouri summer night with heat lightning flashing in the sky and occasional thunder, so far off you’re not sure at first if you’re hearing what you think you are, but near enough to register with your arm hairs as major disturbance in the atmosphere.

Needless to say, we were nearly all to a man, to a boy, ghostly white, whether in- or outside or somewhere between, even the black kids? Yes

(Continued)

Dead Format Revival

 

My program is simple: to surrender to the city and survive its inundation.”

The poet walks faster than her job. She meets another one at the bar. They are far up in a tree in the park. One human howls like a wolf while another hoots like an owl. Oil in the air where the breaks squeal. Death to the other, poet, joking like “Death to…!” And death to joking to death to death too.